Banksy’s Simpsons opening credits
British graffiti artist and political activist Banksy is credited with creating the opening titles and couch gag for the season 22 episode “MoneyBart”, in what amounted to the first time that an artist has been invited to storyboard the show. Jean first took note of Banksy after seeing his 2010 film Exit Through the Gift Shop. According to Jean, “The concept in my mind was, ‘What if this graffiti artist came in and tagged our main titles?’” Simpsons casting directorBonnie Pietila was able to contact the artist through the film’s producers, and asked if he would be interested in writing a main title for the show. Jean said Banksy “sent back boards for pretty much what you saw.” Series creator Matt Groening gave the idea his blessing, and helped try to make the sequence as close to Banksy’s original storyboards as possible.
Approximately the first half minute of the opening sequence remains the same, with a few oddities: the word “BANKSY” is sprayed onto a number of walls and other public spaces. The chalkboard gag (“I must not write all over the walls”) is written all over the classroom walls, clock, door, and floor. After the Simpsons arrive at home, the camera cuts to a shot of them on the couch, then zooms out to show this as a picture hanging on the wall of a fictional overseasAsian animation and merchandise sweatshop. The animation color quickly becomes drab and gray, and the music turns dramatic à la Schindler’s List. A large group of tired and sickly artists draw animation cels for The Simpsons among piles of human bones and toxic waste, and a female artist hands a barefootchild employee an animation cel, which he washes in a vat of biohazardous fluid. Small kittens are thrown into a woodchipper-type machine to provide the filling for Bart Simpson plush dolls. The toys are then placed into a cart pulled by a sad panda which is driven by a man with a whip. A man shipping boxes with The Simpsons logo on the side uses the tongue from a decapitated dolphin head to fasten shut the packages. Another employee uses the horn of a sickly unicorn to smash the holes in the center of The Simpsons DVDs. It is then revealed that the sweatshop is contained within a grim version of the 20th Century Fox logo, surrounded by barbed wire, searchlights, and a watchtower.
The Simpsons is storyboarded at Film Roman, a company based in California. The storyboards, voice tracks and coloring instructions are then sent to AKOM, a company in Seoul, South Korea. According to Nelson Shin, the founder of AKOM, they received the storyboard for the sequence in August 2010. Believing the sequence to be “excessive and offending” he pushed for some of the darker jokes to be removed. He was successful, though “not nearly as much as he had pushed for.” For example, in the storyboards, the workers were wearing conical Asian hats, but these were removed. Fox’s standards and practicesdepartment also demanded a handful of changes, but, according to Jean, “95 percent of it is just the way [Banksy] wanted.” Banksy told The Guardian that his opening sequence was influenced by The Simpsons long-running use of animation studios in Seoul, South Korea. The newspaper also reported that the creation of the sequence “is said to have been one of the most closely guarded secrets in US television – comparable to the concealment of Banksy’s own identity.” Although conceding to the fact that The Simpsons is largely animated in South Korea, Jean went on to state that the scenes shown in titles are “very fanciful, far-fetched. None of the things he depicts are true. That statement should be self-evident, but I will emphatically state it.”
I took my little brother (who falls on the autism spectrum) to see Guardians of the Galaxy and after this scene he lit up like a Christmas tree and screamed “He’s like me! He can’t do metaphors!” And for the rest of the film my brother stared at Drax in a state of rapture.
So for the last 6 days I have heard my brother repeatedly quote all of the Drax lines from the movie verbatim (one of his talents), begin studying vocabulary test words, and tell everyone he knows that people with autism can also be superheroes.
Now I am not saying that Drax the Destroyer is, or was ever, intended to be autistic. All I am saying is that it warmed my heart to see my brother have an opportunity to identify himself with a character known for his strength, badassness, and honor. And that is pretty damn awesome.
So while I adored Guardians of the Galaxy as a great fun loving film with cool characters I can do nothing but thank Marvel Studios and Dave Bautista for finally bringing a superhero to the screen that my little brother can relate to.
Marvel keeps winning, even when they’re not trying
International dog day. Toby aka Tobias aka Toblerone aka Larone